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 Sense of place

This collection is a meditation on how landscape can be not just scenery, but a vivid sense of place—one born at the intersection of memory, light, and daily ritual.

There is something so different about Venice—so unlike any other city—that you instantly abandon familiar routines and ordinary sights, stepping instead into an enchanted garden of light, mist, and mystery. As Mary Shelley observed: “You leave at once all accustomed habits and everyday sights to enter an enchanted garden” 

In this series, I explore that unforgettable experience of painting Venice—its pearly dawns and dusky gloams, the sea mists that cloak palaces, the damp alleys lit by soft, shifting light. Rising before the crowds meant witnessing Venice at its most poetic: light filtered through fog, buildings shimmering like opals, and the lagoon merging with the sky.

By contrast, Florence imparted a different kind of light. Here, the my everyday is so intertwined with the old streets: the warm orange glow on Tuscan façades, vibrant olive greens in the parks in the parks near my house, the familiar view of the duomo as it looms over Via dello Studio when I pick up art supplies. These paintings were shaped by familiarity as much as beauty. 

Interior Worlds

This collection engages with the intimate and layered interiors where artists live, work, and reveal their inner worlds. It interrogates the dual realms of private sanctuary and public art space—the home as comfort and context, the studio as subject and space.

In one painting, I revisit the time-honored subject of the model in the studio, echoing lineage from Laura Knight’s Self Portrait with Nude to Manet’s Olympia. Here, Francesca, having stepped down from the podium and holding her wrap, pauses in quiet reflection before the canvas that captures her. This moment between posing and painting—introspective, private, yet situated within the exposed realm of creation—explores how self-awareness, the gaze, and the act of representation converge.

Other paintings show the emotional architecture of familiar places. Since shifting more of my practice into my living space, I’ve observed the small routines: a morning sunspot by the window, individual stories taking place on the balconies stacked upon one another in the building opposite,  These paintings are glimpses into those domestic dramas—pausing daily rituals, the interplay of light and habit, the private life observed from afar.

From private domestic corners to private performance in the studio, the works investigate how places shape identity, the home and the  studio become mirrors of our interior worlds —spaces inhabited and inhabited by art—a spectrum that spans solitude and exposure, inner life and shared presence.

I invite you to step into these interior spaces—to feel the hush of the studio, the quiet rhythm of home, and the charged threshold where subject becomes canvas, and private becomes visible.

Chasing Light

Over the last year I decided to track the seasonal changes through the sunrises and sunsets. Following the familiar patterns in the gradations of light and finding variations in the way clouds danced across the sky and reacted to the changing colours. In that thirty minute window that tracks the overture of the fading sun to its final chord I could become a part of the music - harmonising and adapting to the symphony that was happening in front of me. Playing to the main theme of the music while finding moments of design that were individual and fleeting voices in the grander tapestry.

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